Objective formations in the poetry of Ibn Nubata AL-Masri

Abstract

The critical lesson was concerned with "objective formations", since it represents a basic theme of poetic discourse as a linguistic system that is in direct contact with the recipient. To monitor the poetic share of these formations in the poetry of Ibn Nubata al-Masri, observing the evolutionary stages of the poet's poetic language through its evolutionary stages, because the stage of youth for him represented the real beginning of the poetic experience; What followed later in terms of evolutionary artistic stages were reflected in the characteristics of his poetic language.  We have been tempted to search in objective formations due to the richness of this topic because of the controversy that exists in defining the poetics of objective formations in poetry, as it is a thorny concept, because it is related to various knowledge and aspects of human life. Each poet has his own concept and position, which differs a lot, or slightly from other poets, towards life, the universe, and human issues. Rather, every poem differs from others for the same poet. And based on the foregoing, we first tried to define the title of the research accurately, so it was the objective formations in the poetry of Ibn Nubata al-Masri. Ibn Nubata al-Masri because his poetry falls under the umbrella of the Ayyubid state and represents a type of literature in a close period of time and a spatial area of ​​its product, which falls within the limits set for the research, as it contains appropriate data to establish the specificity of research and study to determine the poetics of these formations within the structure of the poetic text, as a space Textually and poetically dramatizing the events that follow in chronological order that give the aesthetic function of the poetic text in general.