Actor's performance mechanisms in the open theater

Abstract

The most important characteristic of the open theater is its reliance on the actor’s physical and vocal mechanisms, which were distinctive signs and of great significance in the emergence of the theater since its religious beginnings, which were in the courtyards of the temples and then moved to the streets and public squares. It is an intimate relationship with the recipient. The workers in the theater found that there is a relationship between employing the actor's vocal and physical on one hand and mechanisms and the open theater on the other hand. Considering that the box theater somewhat limits the capabilities of the actor. Therefore, this research was to solve this problem. The research included four chapters, the first chapter of which was the theoretical framework, and it included the research problem, the importance of the research, the research objectives, the limits of the research, and the most important terms contained in the research. The second chapter (theoretical framework) included two topics. As for the second topic (represented in the open space), the chapter concluded with the most important indicators of the theoretical framework. Speaking of the third chapter, the researcher included the research procedures as well as the research community, research samples, research methodology and research tool, while the fourth chapter embraced the most important results and conclusions, and then a list of sources and references.