Poetic music in the poetry of the two Mohammads

Abstract

Poetic music is one of the forms of artistic expression, and it is of great importance in the structure of the poetic text, as it makes its effect tangible and clear, striking the ears and caressing the souls, attracting the hearts of the listeners, because of the bell that is generated in it that the ear is familiar with and the soul enjoys, and it is what we can describe as the spirit of the poem, or the atmosphere of the poem that dominates it. Poetic music is divided into two sections: external music, internal music, and I mentioned the sections of each of them and their prominent and influential role in the poetry of the Muhammads. The meter is the tool and the spirit of the poetic text and its rhythm, and the rhyme is a partner of the meter in the specialty of poetry. It is not called poetry until it has meter and rhyme. As for repetition, export, alliteration, and paronomasia, they are among the rhetorical arts in which the Muhammads excelled in their poems, and the music of poetry is not limited to external music only, because behind this music, there is a hidden music, which is the internal music, and they represent the vocal harmony that stems from the musical agreement between the words and their meanings sometimes, and between the words with each other at other times.