The Convergence of Poetic Rhythm in Modern Iraqi Poetry: The 1990s Generation as a Model A Stylistic Study

Abstract

Abstract

According to the data of modernity and beyond, the modern Arab poet turned towards innovative attempts represented in creating a qualitative identification in the rhythmic structure, attempting to breach the wall of poetic language represented in the beginning with the activation poem, the prose poem, the flash poem, the interactive poem and other attempts of rhythmic camouflage on the rhythmic controls For the vertical poem, searching for renewed experimental narrations in the multiplicity of poetic line activations, seeking to write the vehicle’s seas in which the formal, presentation, semantic, visual, and written rhythms varied.

   Perhaps one of the characteristics of the poetry of the nineties is that it has a multiple and varied poetic product, a feature that distinguished the nineties generation from other poetic generations in writing the poem in all its forms “vertical, activating, prose, flashing, and interactive.” (These formal achievements were enough to There are new conditions for the poetic process, and to give poets a freedom that was not available to those who preceded them, as it frees the poem from the “tyranny” of the house as a musical “unity”, with fixed limits, and gives it a “diversity” in rhythm that avoids the “monotony” that results from the dimensional “repetition.” Equal and “decorative” character, and the poet avoided the problems of “filling and the difficulty of searching for “rhyme.” This increases the “unity” of the poem and subject its composition to “psychological and artistic” requirements. This generation was not satisfied with this formal diversity, but rather produced a different rhythm within the poem The same, exploiting previous attempts on it, leading to the nineteenth poem, which became a complex of weights and poetic forms, which is what the research study aspires to.

Keywords:

Identification of the semantic rhythm in the modern poem.

Identification of the prosodic rhythm in the modern poem.

Identification of the formal rhythm in the modern poem.

Identification of the visual rhythm in the modern poem.