Internal Music in the Finale of the Sicilian Poem

Abstract

It is the poet's artistic ability to innovate and create creativity, and it is what constitutes the language of poetry and its meaning. This occurs through the combination of music in the image. Accordingly, the internal musical rhythm: (is hidden) stems from the poet's choice of his words and the matching of letters and movements between them, as if The poet has inner ears behind his visible ears that hear every shape, every letter, and its movement with complete clarity. Internal musical rhythm is also known as “a group of rhythms, tones, harmony, and symmetry that we glimpse in what emerges from the string when the plectrum plucks it, or the sound of the flute when the lips blow it. Or what the piano echoes when the fingertips caress it, or what flows under the tip of the pen.

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The internal musical rhythm is linked to the sense and feeling of the human being, which he draws in lines and expresses in words. It is “the poet’s ability to establish a musical structure consisting of psychological suggestions that rise or fall, harden or add up, separate or unite, to form in their entirety a coordinated melody closer to the frame.” Symphonic. Therefore, intonation has an internal effect that appears and appears on the senses. The internal rhythm of words and the musical atmosphere that it creates when they are pronounced is one of the most important stimuli that arouses appropriate special emotions, and it also has a special suggestion in the imagination of the recipient and the speaker alike. أسفل النموذج