المهملُ في شِعر فارس مطر الدلالة والفاعلية

Abstract

It is sure that the Arabic poetic text whatever it involves a linguistic density that is capable of interpretation. There should be keys that make us finally reach an indicator, as the Arabic poet is no more that poet that takes from a sea, because his reading experiment became extensive and intensive and his text became involving many text solving in his text hiding in it; therefore, it requires a lot of investigation and asking questions. This research endeavors to examine the indication in the neglected and left and its effectiveness. We will travel with the poetic text trying to capture its gestures and implications to look at it from different corners. We have found that the poetic text of the poet FarisMatar does not give you his keys until after interpretive attempts to capture the displacement, as his text calls the reader to move all the reception layers, as he does not open his doors at once, but it shows a little then it disappears behind a light mystery; so as to leave us between the acceptance and the refusal, between suspect and sureness, and between presence and absence, once it comes, it leaves. The poetic text of Matar came efficient with rich poetry however you read it and read it again, you feel that you read it for the first time. If FarisMatar has a distinct discourse, so what are the aesthetics of this discourse? And what is it that extends his text with the reasons of beauty? Among the results of the research are:

The effectiveness of destruction is one of the distinct signs in the poetry of FarisMatar, and we mean by turning to the destruction is the attempt to look for characters and events that occur in it and transfer them to the myth space of the attempt to transmit the myth in them. The researcher sees that the destruction is produced negligent and reproduces continuously in the poet's poetry, and this negligent directs all its powers to be effective in changing the awareness by facing all compulsories and pressures to transfer from the stage of theoretic struggle to the practical one to

change the society.