أسلوب الالتفات في شعر رشدي العامل

Abstract

This research acquires its seriousness from having an ancient rhetorical style in modern poetry. Al-iltifat witch focous on  conscience and the different connotations that lead to it is no doubt that it is not limited to the poet (the research subject), but the proportion of dealing with conscience and the transition from it to another when Rushdie Alaamel  was mostly unique to draw a different poetic picture.

The research included a preamble in the life of the poet and his poetic status among the poets who lived with him at the same era, as well as an introduction to rooting the term and employing it in the Quranic and literary texts and the opinions of critics in these texts and the most important poets whose verses were an example of this rhetorical art. The research also included some side titles that were a dominant feature in Rushdie Alaamel 's  poetry, such as conscientious alternation (iltifat framing), and conscientious hegemony of the (I) of the  poet and the poem of (the mask)and its relation to the style of Al-iltifat