theatrical text between word and meaning

Authors

  • Namir Rashid Beary Mohammad Ministry of Education/Institute of Fine Arts

DOI:

https://doi.org/10.58564/ma.v13i32.1084

Keywords:

(key words) Text _ Pronunciation _ Meaning

Abstract

This research deals with the theatrical text between utterance and meaning, given that linguistics is one of the most intertwined sciences with other cognitive and philosophical assets, and this is what reinforces and confirms the status of linguistics among the sciences. Represent a common concern between most of the philosophical propositions and their various schools, and this will be evident through this research as follows:

In the first chapter, where (the methodological framework) that includes the research problem and identifying the most important opinions that adopted the duality (the word and the meaning) and their adherence to each other within the same idea, with the aim of finding ways to receive the closest For a reader, as this chapter included the temporal, spatial and objective limits of the research, and the chapter concluded with defining the most important Terms mentioned in the research title.

As for the second chapter, where (the theoretical framework), it included two topics, as the first topic dealt with (the concept of the text), and the second topic dealt with (the philosophy of utterance and meaning), and the researcher came out with the most important indicator. I saw the theoretical framework, including: that the contents are the first fundamental issue In the text, it has a great weight that makes it a moving and active force in more than one time and place, and that language alone is not sufficient for the development of the events of the text, so silence has a great role if a mode is chosen. A correct position between the folds of the dialogue within the text and with great care, and the philosophical thought gives the phenomenon of derivation in the language a legitimate importance To the speaker, with the aim of conveying a linguistic thought with full meaning.

In the third chapter, where (research procedures), the researcher analyzed the text of the play (The Return) by its author (Youssef Al-Sayegh), and the researcher intentionally chose his sample by adopting the descriptive analytical approach.

In the fourth chapter, the researcher (discussed the results of the analysis) and according to the research objective, as he found that the language is the main pillar that achieves the duality of the word and the meaning, and that the meanings transcend The limits of utterances for the recipient, just as the mental image and idea for the recipient are the essence of the utterance and the meaning. In the light of these results, the researcher came out with his conclusions to finally put his recommendations, and then established his sources according to their alphabet.

Published

2023-08-30